Malick is also unique in that while I love his work, I understand anyone who can't get into them and finds them dull or pretentious. It's as if some people are tuned to his frequency and others just receive white noise.
When you're tuned to it, it's a timeless meditative, spiritual experience. Our wedding bands carry the words of the Tree of Life's 'Mrs. O'Brien': 'Unless you love, your life will flash by'.
I hope he can finish 'The Way of the Wind' in times for Cannes this year.
I see Malick in a lot but similarly I see Tarkovsky in a lot of overlapping movies. I don’t think Americans are as attuned to Tarkovskys influence on modern film. I definitely recommend Stalker as an amazing film.
I would also recommend his movie Andrei Rublev, though that is probably even harder to watch because of the length and medieval setting; but, for people that like to see something different, this is very different to current movies.
And from his disciples definitely recommend Zvyagintsev and his The Return and Leviathan.
If you liked Andrei Rublev, you should check out Alexei German's adaptation of the Strugatsky brothers "Hard to Be a God." It's insane, gorgeous, disgusting, teetering on the edge of madness, and monumental.
German's "Khrustalyov, My Car!" is also the purest cinematic distilation of paranoia I have ever seen.
Tree Of Life is nothing short of a masterpiece IMO. Influential on me personally as my first exposure to how much editing and structure (or lack thereof) build directorial style. It left an impression on me to feel so much for a film that explicitly says so little.
Obligatory mention of that iconic low-angle shot of The Mother floating gracefully across the plains. One of the best of all time.
Badlands and Days of Heaven are definitely his most conventional films and thus good starting points. Badlands especially is a great film, Days of Heaven is a bit uneven in terms of plot and pacing, but the cinematography is beautiful.
Then you have The Thin Red Line and The New World, which to me feel like a transitional period between the more conventional films and The Tree of Life, which is the first film that is characterized through and through by Malick's extremely divisive style. I personally love The Thin Red Line, but I can see why it's not for everyone. (I would skip The New World.) All later films have a very recognizable style, for which I think The Tree of Life is the best starting point.
Long story short: I'd start with Badlands, then watch The Thin Red Line, then The Tree of Life. If you like the last one, watch any of his later films.
Or dive at the deep end and watch Knight of Cups or A Hidden Life. You will either like it or not, frankly I don't think it matters what you'll see first, I love all of his movies even though I didn't understand Thin Red Line when I was 20. But Knight of Cups hit me hard when I was 36.
"Disciples", but seemingly without back and forth feedback from the "teacher". Many happy to ride on the coattails of his reputation, though. This particular style might also be attractive to new film-makers because it allows them to dispense with learning the basics of traditional film language.
And from his disciples definitely recommend Zvyagintsev and his The Return and Leviathan.
German's "Khrustalyov, My Car!" is also the purest cinematic distilation of paranoia I have ever seen.
Obligatory mention of that iconic low-angle shot of The Mother floating gracefully across the plains. One of the best of all time.
Never tried Tree of Life or any of his more recent stuff.
Got any recommendations in the first 2-3 of his you’d suggest?
Then you have The Thin Red Line and The New World, which to me feel like a transitional period between the more conventional films and The Tree of Life, which is the first film that is characterized through and through by Malick's extremely divisive style. I personally love The Thin Red Line, but I can see why it's not for everyone. (I would skip The New World.) All later films have a very recognizable style, for which I think The Tree of Life is the best starting point.
Long story short: I'd start with Badlands, then watch The Thin Red Line, then The Tree of Life. If you like the last one, watch any of his later films.
Badlands is his first movie and is very approachable.
The New World is also very approachable but can be long for some people. Personally, it's one of my all time favorite movies.and worth every minute.